Sculpture in the City 2017 is a trail of artworks in London’s square mile and is the destination for today’s run. With the sun shining I head towards Limehouse Basin before taking an eastwards loop that comprises the three links of the Limehouse Cut, the River Lee and finally the Hertford Union Canal. Having effectively done three sides of a square, the loop rejoins the Regent’s Canal and the waterway makes quick progress along its direct route towards Islington. It drops me off at Old Street and from here there is only a short distance to go before the beginning of the trail on the A10 near Tower 42.
Mark Wallinger’s sculpture of a thoroughbred horse stands sleekly in the lunchtime sun absorbing the rays through a dark bronze patina. A group of children stand by it and pose for a family snap. Just down the A10 is the next piece by Martin Creed. He has used plastic bags placed amongst the branches of a tree to create a colourful spectacle whilst copying the manner in which an individual bag might create an unfortunate eyesore, thereby allying this attractive artwork to its antithesis created by chance from the city’s litter.
Last year the route was V shaped and the apex of the V was Leadenhall market. This had provided an enchanting gateway to the blue chip buildings that cluster around the core of the City in homage to some of the world’s finest architects. This year the destination is the same but the numbering of the trail suggests a more prosaic progress along the trail with a simple left turn off the A10. The magic is quickly restored, though upon seeing the next two artworks lit by shafts of sunlight that have made their way through this towering core of buildings. Ryan Gander’s artwork continues the theme of an incidental object that has attached itself to a tree. Not a bag this time but a parachute. Alongside this are four blue tanks and when put together the narrative suggests perhaps a vertical descent of some vital supplies over a last few fictitious seconds before becoming embedded amongst the branches one is currently looking at. In contrast, Paul McCarthy’s work nearby uses none of the resident objects in the plaza to create its narrative but rather through its scale looks as though it has always been here. It consists of two giant figures that are almost as big as the trees populating the plaza. Characteristic of the artist, little nut-like protrusions give the figures a cartoonish quality.
The remaining artworks are an eclectic mix. Daniel Buren presents a classic four colour composition with accompanying black and white striped frame whilst Gary Webb has used the natural colours of exotic materials to create a delicious looking sculpture stacked up like a fruit sundae. A little further along the street Damian Hirst presents a colourful bronze anatomical figure of a man. Finally Karen Tang’s piece called “Synapse”, a large fibreglass construction comprising five or six yellow and green sausage-like elements, gets the biggest endorsement of the day from a group of kids who rush over to it saying “wow”!
Mark Wallinger of Hauser and Wirth, Sculpture In The City 2017.
Martin Creed of Hauser and Wirth, Sculpture In The City 2017.
Ryan Gander of Lisson Gallery, Sculpture In The City 2017.
Paul McCarthy of Hauser and Wirth, Sculpture In The City 2017.
Daniel Buren of Lisson Gallery, Sculpture In The City 2017.
Gary Webb of The Approach Gallery, Sculpture In The City 2017.
Damien Hirst, Sculpture In The City 2017.
Karen Tang, Sculpture In The City 2017.