Gallery run 29th November

Richard Deacon at Lisson Gallery with strained, stressed and, here, undulating forms.

Tony Cragg at Lisson Gallery with stacked forms with highly worked and intricate surfaces.

Bright oil pattern on a sunny day.

Hilary Lloyd at Sadie Coles with images and sounds from her adopted Thamesmead.

Erik Lindman at Almine Rech with attractive, shard-like paintings with glimmers of light and colour set in plain backgrounds.

Merlin Carpenter at Simon Lee Gallery with bright well-worked paintings offering some surreal twists.

Ged Quinn at Stephen Friedman Gallery with images that carry interesting surface markings that work with and against the 3d landscapes depicted.

Mark Bradford at Hauser and Wirth with amazingly intricate paintings that have underlying stacked paper structures.

Fiona Banner at Frith Street Gallery with sea-like images and objects plus a marvellous text detachable from a giant pile at the gallery entrance.

Gallery run 5th June

Marylyn Molisso at Tension Fine Art.
Exciting new show at a gallery that supports experimental art in South East London.

Street art meets canal boat on Islington stretch of Regent’s Canal.

On the water near Kings Cross, propane tanks aglow.

Laure Prouvost at Lisson Gallery with text on a corner.

Faith Ringgold at Serpentine Gallery with poignant painted canvases integrated into stitched, quilted, borders.

Faith Ringgold at Serpentine Gallery with paintings showing powerful narratives. A burning ship and its trade are the very symbols of injustice.

Faith Ringgold holds court and all of our attention at Serpentine Gallery today as she discusses her work there.

Shelagh Cluett at Greengrassi with delicate, sea-creature-like sculptures.

David Lieske at Corvi Mora.

Gallery run 22nd May

1311
Zaha Hadid design for the Sackler Gallery where we met for a press view this morning.

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Luchita Hurtado at The Serpentine Gallery with beautiful studies of light. There are also fine figurative works and amazing abstracts in this retrospective of a woman who met artists from all the great artistic movements of the last century whilst resolutely pursuing her own ideas.

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Anish Kapoor at Lisson Gallery with large scale stone works exhibited in the gallery’s courtyard. They look stunning in the summer sun.

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Jason Martin at Lisson Gallery with bands of paint that remind me of newly laid snow snagging occasionally on small protrusions.

1315
Fergus Polglase at Central Saint Martins graduate show. Great tongue-in-cheek abstract painting of a motorbike road trip.

1316
Navid Nuur at Parasol Unit with blown up doodles from those scribble pads where customers try out the new pens. We are all graffiti artists when we are not thinking about it.

1317
Frank Bowling at Hales Gallery with abstracts reminiscent of the artist’s native Grenada. A warning is struck too as the iridescent water sometimes has rubbish strewn across the surface portrayed playfully by collage.

1318
Near Brick Lane. Was in the prospect of a bagel or this fab mural that injected energy into those flagging limbs?

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Sarah Morris at White Cube Gallery with an installation that reminds me of artificial intelligence.

Gallery run 22/2/19

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Tracey Emin at The White Cube Bermondsey until 9th March. Work entitled Another Goodbye in the show A Fortnight of Ashes.

This show focuses on the powerful feelings evoked by love, sex, death and loss. In this piece, located in a room Tracey has renamed the Ashes Room, is a remembrance of the artist’s dead mother.

Remembrance and memory are the themes of this show and the power that they hold over us are clearly visible here. For Tracey, the memorabilia of her past are displayed in glass vitrines, rather like the sealed vessels of Prousts Remembrance of Things Past that hold the long forgotten memories of past habits and routines shared with loved ones. Just as Proust’s vessels burst open when triggered with a sensation often of smell or taste, it looks like these glass vitrines too have been smashed apart and plied their powerful subject matter upon the work in the show.

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Staging Jackson Pollock at The Whitechapel Gallery until 24th March. Not so much about the American artist himself as rather a narrative of two intertwining events. Firstly, the display and eventual purchase of a beautiful painting called number 9, Summertime, by the Tate Gallery and secondly the ground breaking exhibition at the Whitechapel Gallery back in 1958, of Jackson Pollock’s works, where this painting was originally displayed on a bespoke wall by modernist architect Trevor Dannat. The wall ran right through the middle of the gallery and epitomised the brutalist architecture of the day. Alongside all this archive material is the real thing. Number 9 has been lent back to the Whitechapel for this show and it is still looking resplendent.

1303
Woskerski mural near BrickLane.

1304
Hyon Gyon at Parasol Unit, until 31st March. Work entitled We Were Ugly.

This enormous work running the length of the gallery is composed of 17 styro-foam blocks in the traditional builder’s dimensions of 4 feet wide by 8 feet high. Here the similarities to the building trade comes to an end, however. The bright painted surfaces have been burnt with a soldering iron revealing the blue granular layer that comprises the region behind the picture surface. Paint fuses into this nether world and offers a comparison to the artist’s own psyche, we are told.

1305
Me in front of my works Life In A Cell and Psychic Space exploring the hidden realities in nature and science.
This is my base in Peckham, Ideas Lab and the start point for each #galleryrunner event.

1306
John Korner at Victoria Miro until 23rd March. Work entitled Apples as Architecture, 2019 in the show Life in a Box.

For John Korner, apples are a mini-theme and one that I both recognise and love. Previous apple works are Apple Bombs and Running Along Apples. This mini-collection of apple works also offers a clue as to why this show should seem to be all about dynamism, with its running figures, sports track and climbing-frame bar where you receive free alcohol shots on a Friday afternoon, yet its title Life in a Box should simultaneously seem so static. The apples in Korner’s paintings are not strictly still, but pulse across the picture surface leaving behind their glowing after-images. Thus grids and boxes as exemplified by these vibrant apples are therefore only temporary states. Everything is ultimately dynamic and changing.

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Peter Joseph at Lisson Gallery, until 2nd March. Work entitled Dark Blue, Mushroom, Light Blues, Greens and Yellow 2016

These enigmatic works give little away on an intellectual level but nevertheless show the acute aesthetic sensitivity of a 90 year old artist at the top of his game.

1308
Liu Xiaodong at Lisson Gallery, until 2nd March. Work entitled Weight of Insomnia (Beijing) 2016, in the show Weight of Insomnia.

In a glass vitrine we see a typed proposal for a kind of painting machine, three in fact, that could work tirelessly for several weeks depicting three different landscapes from digital images captured by CCTV. By a certain good fortune one of these CCTV regions would be outside the artist’s own apartment and is the image shown here.
This and the other two images were a great success in the artist’s native China and the project continued to grow, incorporating iconic squares and public spaces in many other countries. The machines are still painting night and day, and one of them is even on show and at work in the present exhibition, where we see scaffolding, some delicate wires, a kind of makeshift print-head and finally a small laptop displaying the CCTV image providing the electronic subject matter of its current painting of Nelson’s Column and Trafalgar Square.

1309
Miroslav Balka at White Cube, until 9th March. Show title, Random Access Memory.

Walls are the theme of many news stories currently and here we have two. They are made of corrugated metal sheet, heated to a temperature of 45 degrees, which apparently is the temperature at which the enzymes within organisms begin to denature and their cells die, but when this temperature is delivered by objects resembling giant radiators, they actually feel lovely to rest against. Random Access Memory, the type used by computers to store data, is the show title that adds a more sinister note to these giant structures straddling the galleries.

Gallery run 10th July

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Angela De La Cruz of Lisson Gallery with paintings and metal shutters pulled off their frames.

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Christopher Le Brun at Lisson Gallery with abstract paintings. Some have the paint applied straight from the tube which leaves pleading scratch marks from the nozzles.

1223
Edward Keinholz at Blain Southern with sculptures from found objects.

1224
Alex Hartley of Victoria Miro with two-layer paintings combining foliage and architecture.

1225
Pipilotti Rist at Hauser and Wirth. Trust me!

1226
Fischli and Weiss at Hauser Wirth with a giant vase.

1227
Alexander Calder at Ordovas with a black flower mobile.

1228
Cindy Sherman of Sprueth Magers with film star style self portraits. A hint of cleverly contrived faded glamour too.

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Lydia Okumura at Galerie Thaddaeus Ropac with a retrospective. Made with painted wire mesh.

Gallery run 17th May

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Ian Cheng of Pilar Corrias at Serpentine Gallery with animated figures that follow their own wills created by AI programming.

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Hermann Nitsch at Massimo De Carlo with paintings inspired by controversial performances by the artist, involving public dissections of bulls and other animals intertwined with religious themes.

1143
Sarah Cain at Timothy Taylor with great abstract paintings.

1144
Markus Lupertz of Michael Werner with a series of tent paintings he made in the 60’s from catalogue photos.

1145
Newly decorated phone box outside Lisson Gallery.

1146
Mary Corse at Lisson Gallery with highly reflective paintings that use micro glass beads familiar from road signs.

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Richard Long of Lisson Gallery with a flint circle.

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A radiant glow from a government building no less.

1149
Dieter Roth at Rob Tufnell with a piece referencing the Daily Mirror newspaper.

Gallery run 26th April

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Rezi Van Lankveld of Approach Gallery with great surreal, abstract paintings.

1112
Evren Tekinoktay at The Approach.

1113
Spencer Finch of Lisson Gallery showing at Whitechapel Gallery in Art For The Elizabeth Line.

1114
Paloma Varga Weisz of Sadie Coles HQ showing at Whitechapel Gallery.

1115
Maria Bartuszova of Alison Jacques showing at Whitechapel Gallery.

1116
Sondra Perry at Serpentine Galleries with a reinterpretation of a tragic event, originally depicted by Turner, of sick and weakened slaves being thrown overboard a ship to cash in on insurance payouts.

1117
Stefanie Heinze at Saatchi Gallery.

1118
Chris Hood at Saatchi Gallery.

1119
Pasta hanging off sculpture in preparation for studio lunch, with machine in the foreground. Iconic Peckham show with ArtCPGalleria.