Gallery run 29th November

Richard Deacon at Lisson Gallery with strained, stressed and, here, undulating forms.

Tony Cragg at Lisson Gallery with stacked forms with highly worked and intricate surfaces.

Bright oil pattern on a sunny day.

Hilary Lloyd at Sadie Coles with images and sounds from her adopted Thamesmead.

Erik Lindman at Almine Rech with attractive, shard-like paintings with glimmers of light and colour set in plain backgrounds.

Merlin Carpenter at Simon Lee Gallery with bright well-worked paintings offering some surreal twists.

Ged Quinn at Stephen Friedman Gallery with images that carry interesting surface markings that work with and against the 3d landscapes depicted.

Mark Bradford at Hauser and Wirth with amazingly intricate paintings that have underlying stacked paper structures.

Fiona Banner at Frith Street Gallery with sea-like images and objects plus a marvellous text detachable from a giant pile at the gallery entrance.

Gallery run 31st March

Tate to Tate zigzag.

601
Ged Quinn at Phillips.

602
Sylvie Fleury at Phillips with a gold plated tyre fountain.

603
Eddie Martinez of Timothy Taylor with vivid gestural images.

604
Cerith Wyn Evans at Tate Britain.

605
Agnes Martin at Tate Modern.

606
Irma Blank of Alison Jacques Gallery with heavily worked pen lines giving an all over blue.

607
Christopher Williams at David Zwirner with an installation about photography. There are X-rays of cameras and wall partitions on wheels with a worn utilitarian feel. I am sure I could smell a whiff of film developer too!

608
Knut Henrik Henriksen of Hollybush Gardens with an installation using pebbledash and accents of gold paint.

609
Theaster Gates of White Cube with an artwork in Tate Modern. The vertical lines are fire hoses.