Gallery run 23rd March

A classic stop-off point is Brick Lane, at Beigel Bake to be more precise, where apple strudel costs just 80p. From here I move on from some of the galleries in the east of London towards the west end and on the way encounter Hollybush Gardens in Farringdon. On show is Turner Prize winner, Lubaina Himid. The room is full of wall paintings extending onto some additional objects propped upright on the floor. It is fascinating that the original utility of these painted objects, such as piano lid, is still immediately recognisable.

Jogging west past Holborn, the Mayfair galleries are finally reached. David Zwirner on Grafton Street is hosting Andrzej Wroblewski, a Polish artist who oozes Eastern Block charm. His Chauffeur series features drivers with their back turned to the viewer. A Gauguinesque blaze of colour near the driver’s head appears to demarcate that area of the vehicle window where the subject’s own psyche has intervened into this external world.

Then doubling back slightly, for a reason I can no longer remember since this is a slightly stripped down and edited re-write, Sophie Von Hellermann has been exhibiting some lovely loose paintings at Pilar Corrias. Formally of Vilma Gold, which shut last Autumn, the artist has found a good replacement with this gallery on Eastcastle Street.

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Lubaina Himid of Hollybush Gardens with a painted piano lid.

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Jose Damasceno of Thomas Dane Gallery with a small intervention on the eyes of Brazilian money-prints.

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Pier Paola Calzolari at White Cube who uses refrigeration units in his sculptures to produce pure whites.

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Mel Bochner at Mazzoleni Gallery.

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Andrzej Wroblewski at David Zwirner with an image from his Chauffeur series.

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Roy Newell at Simon Lee Gallery with meticulously worked miniature paintings.

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Michelangelo Pistoletto of Simon Lee Gallery with shelving images on his characteristic mirror backgrounds.

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Jean Dubuffet at Timothy Taylor with one his familiar cellular-based sculptures.

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Sophie Von Hellermann of Pilar Corrias with colourful paintings from the imagination.

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Gallery run 6th July

Today is another hot day and with sun cream and cap at the ready, I head over Lambeth Bridge towards Pace Gallery just off Piccadilly. Nathalie Du Pasquier has created an installation out of the entire gallery. Central to the space is an inner room with walls painted red onto which four works have been hung. One artwork catches my eye here, comprising several chunky objects painted in separate primary colours but concealed behind a white screen allowing a multitude of shadows and colour combinations to be explored in their resulting still life depiction. Other paintings include factory-like images which occupy a strange middle space between the expanse of landscape and the intimate private space of a still-life set up. This is partly achieved through the artist having made wooden maquettes of the original objects before then painting these directly.

A few streets away in Golden Square, there is a group show at Frith Street Gallery and three artists catch my eye, Daniel Silver, Fiona Banner and Callum Innes. They have created, respectively, life-sized sculptures of elegant figures, strips of paper with heavily worked graphite surfaces and finally a painting of solid blocks of colour with delicate overworking that soften their geometric forms. With the temperature rising now towards midday I am switching vest and T-shirt over as I leave, in order to remain presentable in the galleries.

Along Eastcastle street, just north of Oxford Circus, I come to Pilar Corrias Gallery. Here another group show announces that summer is upon us, since this is a preferred format for this time of year, and there is some great work on show here too. Judith Bernstein has produced a fantastic depiction of life, the universe and everything in a single compact painting. Downstairs, Sophie Von Hellermann has joined two canvases together in the middle of the room to create an image that extends across their two surfaces up to the ceiling. It is a diving board but with a marvellous sense of light and colour that gives the art a fantastic sense of presence.

Finally at Alison Jacques Gallery I see two great artists on show. Of particular note are the artworks of Sue Dunkley. They are portraits of figures in social poses and situations and the best examples are two paintings each comprising two bathers. Though they inhabit a social space, the figures have a powerful sense of self-reflection and seem absorbed in their own consciousnesses uniting perfectly the public and the private lives of an individual. Now it is time to meet my Argentine relatives at our rendezvous just off Piccadilly and with their tickets loaded up on my iPhone, I will be taking them around a show.

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Nathalie Du Pasquier at Pace Gallery with simplified and striking cityscapes that merge into the genre of still life.

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Daniel Silver of Frith Street Gallery.

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Fiona Banner of Frith Street Gallery with graphite-laden strips of paper that have a metallic appearance.

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Callum Innes of Frith Street Gallery with a boldly articulated painting that also shows a delicacy with the uppermost layer.

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Judith Bernstein at Pilar Corrias with a fantastic piece.

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Sophie Von Hellermann of Vilma Gold exhibiting in a group show at Pilar Corrias.

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Sue Dunkley at Alison Jacques Gallery with vibrant figurative paintings.

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Jade Montserrat at Alison Jacques Gallery with intricate and thought-provoking drawings.

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The Old Kent Road tank has had a striking Mondrian makeover.