Today is scheduled to be hot at 27 degrees and suncream and a sports cap are necessary to protect against about 4 hours of direct sun. I head north west towards the Lisson Gallery using the most picturesque route available out of Peckham through a succession of small parks and across Lambeth Bridge. In gallery 1 Jorinde Voigt has beautiful drawings on display and the blurb explains that they are time based depictions of objects changing their appearances over time. We learn the artist was a cellist and of the possible connections between these drawings and musical scores. Meanwhile on close inspection the application of spray paint is immaculate and stands in contrast to the urgently scrawled text made as though by the hand of an experimental scientist. In gallery 2 Joyce Pensato has produced large paintings based on cartoon imagery ranging from Mickey Mouse to Batman’s mask. The application of paint is frantic and disorientating with hundreds of drips, scourings and a loose style more reminiscent of Abstract Expressionism than of Pop.
Then there is a short journey south to Michael Werner Gallery. The receptionist who always welcomes me is talking on the phone in Spanish, but still breaks off to give me a nod, and I make my way upstairs into the gallery. Marcus Lupertz is a geologist, we discover, and immediately the loosely rendered images take on a new dimension as though depicting living rock. A volcano bubbles away in one picture, at least to my imagination, but looks small and evokes no sublime terror but rather appears more domestic like a hot cauldron. Perhaps this is the effect of the artist’s own familiarity with his subject matter. David Zwirner is next a few streets away and here Lisa Yuskavage has painted large scale nudes, men and women in pairs, which can be linked to small jewel like studies shown upstairs. I admire her ability to work from studies in this way without losing any of the vitality of the original. Nearby at Victoria Miro, Milton Avery has produced beautifully rendered landscapes and portraits. We are told in the press release that he was influential to Rothko. A buyer asks for a quote and I overhear a figure in excess of £100,000 for one of the works on paper. This is A list.
In the art colleges the student shows are continuing this week and it is the turn of the Slade MFA and PHD students to exhibit. A striking painting by Georgina Lowbridge depicts a man lying down amongst a pile of beautifully painted clutter. A young woman comes up and asks what I think of the paintings, and knowing they are hers I dutifully reply they are great, which is easy to say, in fact, because they are. After a great discussion about life at the Slade I mention that I had tried to see Florian Roithmayer’s work of cast clay on show in the observatory, a small circular building in the quad, to find out more about the PHD programme. In fact the building had been locked for lunchtime, though I didn’t mention this, but nevertheless had peered through the windows into the darkened space to his three mysterious sculptures. The most striking was a slab of clay, pinched and squeezed in a way, now quite familiar to abstract sculpture, but somehow there is excess here as though the slab has had a real going over.
Back south the monthly visit to the Greengrassi, Corvi Mora complex in Kennington offers ample rewards with Anne Ryan displaying cutouts in the larger of the two spaces whilst upstairs a bed with bright orange sheets lies tucked in the corner. Its placement next to the concrete floor slab of a defunct fireplace merged now into the smooth white wall of the gallery, reminds me of nights spent by the fire in a small squat nearby. But the bed has rich memories of its own as a press release depicts an old photo from the 70’s showing the sculpture in its original exhibition at New York’s 303 gallery.
Jorinde Voigt of Lisson Gallery with intricate drawings using a style that’s almost scientific.
Joyce Pensato of Lisson Gallery with great cartoon imagery.
Markus Lupertz of Michael Werner Gallery with striking free brushwork in highly charged landscapes. As he was a geology graduate also, I fancy this to be a volcano but with unusual vantage point.
Lisa Yuskavage at David Zwirner London with powerful figurative paintings.
Milton Avery at Victoria Miro Gallery. This landscape has a beautiful use of colour including the delicately painted pale blue trees.
Dominic Dispirito at Slade School of Fine Art with great spray painted artworks.
Georgina Lowbridge completing her MFA at Slade School of Fine Art with three great paintings including this one. She told me she had sussed out using this clean and carefully limited palette of colours during the course and it certainly seems to work.
Anne Ryan of Greengrassi with a new move away from her narrative paintings. The installation is made up of over 100 cut-out images.
Rirkrit Tiravanija of Pilar Corrias exhibiting in a group show at Corvi Mora.
The artwork uses the space well and reminds me of a mis-spent gap year living in squats.