Julian Opie at Alan Cristea Gallery with the ubiquitous vinyl support now raised to the level of very good, high art.
Helen Frankenthaler at Victoria Miro.
Richard Serra of Gagosian with thickly covered sheets of paper, revealing uncovered edges built into the composition.
Matthias Bitzer of Almine Rech Gallery with faces, mediating mathematical forms and his characteristic alternating light and dark bands of paint.
John Chamberlain of Gagosian with posthumous artwork of crushed car parts shown in conjunction with his estate.
Urs Fischer of Sadie Coles HQ with an emerging nude figure.
Eric N Mack at Simon Lee Gallery with multi-media images and spaces.
Karen Kilimnik of Sprueth Magers with small, vivid paintings. The effect of her imagination is clear from the explosion and bullet traces that have been frozen for the single moment of the composition.
Spot the front door with letter box and street number 69, drawn onto this shelter along with the more obvious added brickwork.
A close up of Andreas Eriksson’s new work at Stephen Friedman. Still delicate, abstracted, Nordic landscape but now a new medium of just the linen alone, that he paints on.
Saw this animated figure in Carnaby Street. A quick google confirms it is indeed by Julian Opie of Lisson Gallery.
Early on the run looking for a place to cross the Westway.
Jeff Koons at Almine Rech.
At St Martins in the Fields, Trafalgar Square. Distorted window round the back by Shirazeh Houshiary of Lisson Gallery.
Chantal Joffe at Victoria Miro has a good show of portraits of the people in her life. Great stripes right across.
Josef Albers at Stephen Friedman in a revisit to Bauhaus.
Setven Claydon show at Sadie Coles called The Gilded Bough. The partial gold gilding of the sculptures places them (intentionally) between artefact and commodity. Circuitry, mechanisation and totems all add to a good installation.
Leake Street.
Gallery Runner 