Gallery run 20th June

1331Dulwich Pavilion inspired by the Nigerian cloth patterns of artist Yinka Ilori‘s native country. Pricegore architects complete an impressive team.

1332Serpentine Pavilion, what a fantastic jagged roof it has!

1333It’s here!
This year’s Serpentine Pavillion has arrived, curtesy of the architect Junya Ishigami. The rock-covered roof was the chief design consideration and all else is periphery. A crow was the inspiration , the wings mimicked by several tons of slate. Destination, due South!, since for added impact the roof is also aligned to due South, tapering to the rear in the NE and NW directions.

1334He’s still as ascerbic as ever. Blah, blah, blah. The colours are stunning, helped by the velvet fabric. The old print set hasn’t changed but the experimentation with paint continues apace. Mel Bochner at Simon Lee Gallery.

1335Jannis Kounellis at Almine Rech Gallery.
These striking letter-canvases are inspired by ship’s lettering in the artist’s native home of Piraeus, Greece’s shipping port close to Athens.

1336Howardena Pindell at Victoria Miro with collages comprised of paper chads- those circular discs of paper made from hole punchers. Not to be confused with hanging Chad or Florida 2000. These artworks are very beautiful and represent the artist’s mature phase, set against her determination to recover from a severe car accident.

1337Well this is the subject of many an art school dissertation on movement and it’s arrived in London, in the flesh, as it were. Even in its latent state with power switched off it can’t resist a few impromptu light events, Obviously the shadows below are staged, but the refractions further up casting light pools on the surrounding walls are more telling of the machine’s potential to play with light. This is Lazlo Moholy Nagy‘s light machine -a sort of hybrid cross between film projector and stop-motion light house. On show at Hauser and Wirth.

1338Keith Tyson at Hauser and Wirth exploring the genre of flower painting. This is the standout example for me as there are allusions to swamps and a wider ecosystem. A question, though, to an old colleague and technophile. Is single, vanishing-point perspective appropriate, for rendering nature?
Nature is no friend of our Cartesian systems as the ironic quoting of equations attests. But the flowers are nevertheless signifying something with their spiral patterns in these photorealistic paintings. Do we consider the Aesthetics, or do we look deeper at some strange flower-sprouting- laws based on osmotic pressures and electric field lines, perhaps?

1339Francis Bacon at Gagosian Gallery They are all behind glass which makes them a pain to photograph, oblique angle photo to remove my own reflection followed by correction using the tilt toolbox- is not really the way to experience art. Being there , however, brings a few sublime moments and the eye’s remarkable ability to selectively choose its depth of field offers are far more forgiving editing of miscellaneous reflections.

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Gallery run 15th September

1281
J B Blunk at Kate MacGarry with oriental ceramics.

1282
Kim Dorland at Beers London with images of forests, some figures aware of their impending death and a light-hearted egg motif.

1283
Richard Aldrich at Herald Street with a loose abstract piece.

1284
Christina Quarles at Pilar Corrias with abstracted figures in bright patterned landscapes.

1285
Moshekwa Langa at Blain Southern with great abstract works.

1286
Conrad Shawcross of Victoria Miro with developments on his tetrahedral motif.

1287
Urs Fischer at Gagosian. The candle is burning.

1288
Don Van Vliet (aka Captain Beefheart) of Michael Werner Gallery with familiar animals that have become symbols.

1289
Keith Farquhar at Cabinet Gallery with familiar objects transformed for our viewing pleasure.

Gallery run 23rd August

1271
Tracy Emin of White Cube with a delicate bird on pole sculpture. At Frieze Sculpture Park.

1272
Simon Periton of Sadie Coles HQ with a delicate cut-out made from painted metal sheet. At Frieze Sculpture Park.

1273
Conrad Shawcross of Victoria Miro Gallery with a labyrinth. At Frieze Sculpture Park.

1274
Rachel Feinstein of Gagosian Gallery with a florid sculpture set in Regent’s Park at the Frieze Sculpture Park.

1275
Virginia Overton of White Cube with fab artwork reminiscent of blue collar fabrication. At Frieze Sculpture Park.

1276
Bharti Kher of Hauser And Wirth at Frieze Sculpture Park.

1277
John Baldessari of Marian Goodman Gallery with a 6’7” penguin. At Frieze Sculpture Park.

1278
Kiki Smith has created a figure out of a fairy tale. At Frieze Sculpture Park.

1279
Elmgreen And Dragset of Galerie Perrotin at Frieze Sculpture Park.

Gallery run 12th August

1251
David Annesley lovely colours and forms here kick off the Sculpture In The City trail 2018

1252
Gabriel Lester in Sculpture In The City with bus stop display units commandeered for art.

1253
Michail Pirgelis of Sprueth Magers with a section of plane.

1254
Juliana Cerqueira Leite in Sculpture In The City with an object made from hollowing out, by hand, a clay tube and the making a cast of the resulting cavity.

1255
Sean Scully with a stack sculpture in Sculpture In The City

1256
Sarah Lucas of Sadie Coles HQ with a great recreation of a formerly kitsch ornament turned to high out partly due to the surreal aubergines cargo.

1278
Jean Luc Moulene of Thomas Dane Gallery with an object that looks like a beautiful application of vinyl wrap around a super car.

1257
Thomas J Price of Hales Gallery with striking heads in Sculpture In The City

1259
Nancy Rubins of Gagosian with a giant metal casting incorporating familiar shapes.

Gallery run 19th July

1231
Ponte Garibaldi dedicated to the unifier of Italy.

1232
The oculus, or round hole, in the dome of the Pantheon in Rome.

1233
Trevi Fountain great to see on a hot run round Rome.

1234
Tatiana Trouve of Gagosian showing everyday objects, including her thread on spindle motif, cast in bronze.

1235
Giotto in Archbasilica Of St. John in Rome.

1236
Colosseum in Rome.

1237
Cornelia Baltes of Frutta Gallery in a group show in Rome.

1238
Rome wall.

1239
Marius Engh at Galerie Emanuel Layr in Rome exhibits hanging pieces and an accompanying poem.

Gallery run 22nd June

1191
Lesley Vance of Herald Street with beautiful formal compositions that use a range of styles including a nice gestural brushstroke stylie.

1192
Oscar Tuazon at Maureen Paley with work that references major projects in the US. These involve live-in spaces as well as political agitation for communities to keep access to dwindling water resources as it gets syphoned off by industry. We are presented with the basic elements in the gallery of fire, water and earth, or in this case rust.

1193
Anwar Jalal Shemza at Hales Gallery exploring the vast possibilities of composition using just circles, squares and, of course, colour.

1194
The star-crossed lovers are featured in a great mural near Hoxton.

1195
Kathryn MacNaughton at Beers London with carefully rendered re-workings of computer and mouse-generated images.

1196
Sarah Sze of Victoria Miro with great photo and paint collages. They are shown alongside lots of torn images attached to the gallery’s walls with blue tape. It is as though the artist has recreated the laboratory of visual associations from which the formally mounted works derived, as an installation in the gallery.

1197
Katharina Grosse of Gagosian with giant spray paint and stencil works, executed as high art abstraction.

1198
Eline McGeorge of Hollybush Gardens who creates pixilated images by weaving emergency foil blankets into natural imagery. The juxtaposition of the two materials creates an extra pathos suggesting that nature maybe in the position of the injured patient.

1199
Footie-England flags casting their red-crossed shadow onto a pavement somewhere near the end of today’s run in Peckham.

Gallery run 3rd May

1121
Julian Opie at Alan Cristea Gallery with the ubiquitous vinyl support now raised to the level of very good, high art.

1122
Helen Frankenthaler at Victoria Miro.

1123
Richard Serra of Gagosian with thickly covered sheets of paper, revealing uncovered edges built into the composition.

1124
Matthias Bitzer of Almine Rech Gallery with faces, mediating mathematical forms and his characteristic alternating light and dark bands of paint.

1125
John Chamberlain of Gagosian with posthumous artwork of crushed car parts shown in conjunction with his estate.

1126
Urs Fischer of Sadie Coles HQ with an emerging nude figure.

1127
Eric N Mack at Simon Lee Gallery with multi-media images and spaces.

1128
Karen Kilimnik of Sprueth Magers with small, vivid paintings. The effect of her imagination is clear from the explosion and bullet traces that have been frozen for the single moment of the composition.

1129
Spot the front door with letter box and street number 69, drawn onto this shelter along with the more obvious added brickwork.