Gallery run 16th January

Hertford Union Canal.

Joanna Billing at Hollybush Gardens with a film in which a dance troupe carried heavy glass panels. These drew attention to the concrete block architecture of Raslatt in Sweden.

Paul Anthony Harford at Sadie Coles, Condo Art with drawings that have occasional surreal scenes.

Lucie Stahl at Sadie Coles, Condo Art with resin-covered collages.

Christian Flamm at Sadie Coles, Condo Art.

Jos De Gruyter and Harald Thys at Sadie Coles, Condo Art.

Alex Israel at Gagosian with thought images.

Sofia Mitsola at Pilar Corrias, Condo Art with simplified female figures painted large scale.

Sedrick Chisom at Pilar Corrias, Condo Art with painted canvas scrolls.

Gallery run 11th December

Richard Forster at Timothy Taylor with photorealistic drawings.

Jockum Nordstrom at David Zwirner with a shadow display of moving figures.

Kara Walker at Sprueth Magers with cutouts and films that have used them.

Leo Villareal at Pace Gallery with vivid images on giant LED displays.

Guy Ben Ner at Sadie Coles with a lighthearted mimed film to the soundtrack of Spielberg’s War of the Worlds.

Antony Gormley of White Cube with block-based figurative sculpture.

Helen Johnson at Pilar Corrias with paintings containing layered imagery.

Roy Oxlade at Alison Jacques Gallery with imaginative and interesting paintings.

Soft Furnishings, Ribosomes and Proteins.

Gallery run 17th September

Harmony Hammond at White Cube Official with great abstract works based partly on the materiality of canvas and other fabrics.

Dora Maurer at White Cube Official with colourful shaped canvases.

Mona Hartoum at White Cube Official . When by chance a woman was leading a tour of this show, I did a quick google search and her characteristic curly hair revealed it was in fact the artist. Fascinating tour I had tagged onto and here is something the artist described as being almost a self portrait… any guesses?

Goshka Macuga at Kate Macgarry with works that on first sight seem based on the theme of weaving. However, the deeper reference is computing and the artist explains that there are many connections between the information needed to weave fabrics mechanically and that of the old computer punch cards. Surprisingly the pioneer of such technology was a not a male we have heard about, such as Charles Babbage, but rather a woman living in the early 1800’s.

Cui Jie of Pilar Corrias with paintings of Chinese viewing platforms and architecture.

Yoshimoto Nara and David Shrigley of #StephenFriedman with cartoon-like drawings that depict clever or witty ideas.

Jasmine Thomas Girvan at David Zwirner with intricate figurative sculptures shown alongside the paintings of Chris Ofili.

Chris Ofili at David Zwirner with figurative paintings including this great piece.

A wheel of sorts and it’s a big one.

Gallery run 15th September

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J B Blunk at Kate MacGarry with oriental ceramics.

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Kim Dorland at Beers London with images of forests, some figures aware of their impending death and a light-hearted egg motif.

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Richard Aldrich at Herald Street with a loose abstract piece.

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Christina Quarles at Pilar Corrias with abstracted figures in bright patterned landscapes.

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Moshekwa Langa at Blain Southern with great abstract works.

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Conrad Shawcross of Victoria Miro with developments on his tetrahedral motif.

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Urs Fischer at Gagosian. The candle is burning.

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Don Van Vliet (aka Captain Beefheart) of Michael Werner Gallery with familiar animals that have become symbols.

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Keith Farquhar at Cabinet Gallery with familiar objects transformed for our viewing pleasure.

Gallery run 5th July

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Rosa Loy at The Approach with great German symbolic realism.

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Kasper Bosmans at The Approach with a small cosmic-looking painting. Fab piece.

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Brick Lane doorway. Love it, by the way!

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Collier Schorr of Stuart Shave Modern Art in a reclining pose for a selfie.

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Cosmic! Michelle Stuart at Alison Jacques Gallery with a grid made in 1969 and inspired by the moon.

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Keren Cytter of Pilar Corrias with imaginative use of reflective sheet that turns the gallery floor into a sort of makeshift projector screen helped by the intense spotlights coupled with dim over-lighting.

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Urs Fischer of Sadie Coles HQ with iPhone artworks showing the wit of the artist.

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Leonor Antunes at Marian Goodman Gallery with screens based on architectural and art motifs including those of Anni Albers.

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Juan Munoz of Frith Street Gallery with vividly drawn objects.

Gallery run 17th May

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Ian Cheng of Pilar Corrias at Serpentine Gallery with animated figures that follow their own wills created by AI programming.

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Hermann Nitsch at Massimo De Carlo with paintings inspired by controversial performances by the artist, involving public dissections of bulls and other animals intertwined with religious themes.

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Sarah Cain at Timothy Taylor with great abstract paintings.

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Markus Lupertz of Michael Werner with a series of tent paintings he made in the 60’s from catalogue photos.

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Newly decorated phone box outside Lisson Gallery.

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Mary Corse at Lisson Gallery with highly reflective paintings that use micro glass beads familiar from road signs.

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Richard Long of Lisson Gallery with a flint circle.

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A radiant glow from a government building no less.

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Dieter Roth at Rob Tufnell with a piece referencing the Daily Mirror newspaper.

Gallery run 13th April

Like last week, this Gallery-Run-write-up has been reduced to the individual photo captions, shown further down the page, in order to make room for a temporary project called Plus 1 that now follows. Guests join me, hopefully, on a gallery run and will share ideas. Alas there are still no takers, though admittedly I still haven’t really asked anyone else yet, beyond the hopeful invitations shown last week. This week’s article features something entirely different, though still comprising a sort of plus 1, whilst also verging on the confessional! For two months I learnt the names of artists associated with London-Frieze-exhibiting galleries, from lists of paper whilst out jogging being careful not to run into lampposts or pedestrians. Each list could be hand-held and studied. Some even show the effects of rain or of being stuffed into a pocket. Along with a two word summary of something that each artist did, the process helped to create a stack of memory boxes that follows the sequence of the numbered lists shown in the photograph below. The memory boxes automatically bring forth the next in the stack, provided they are cycled through in recall about once every fortnight. The boxes also bring with them an essence of each artist, since they have gradually filled up with experiences of gallery visits. Memory is a strange thing and this sequential recall is probably born through the need to piece together consecutive events in time, something the philosopher David Hume considered to be the rather unphilosophical survival function that shapes the human brain.

listsThe Lists Cycle. Gallery Runner lists in the foreground.

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Pablo Bronstein of Herald Street Gallery with a film that crosses the glam game show format with some of the grand narratives of Greek mythology.

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Bernard Cohen at Flowers Gallery.

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Elizabeth Murray of Pace Gallery showing at Victoria Miro with what looks like biological imagery on the shaped canvas.

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Joan Mitchell at Victoria Miro in a group show.

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Carlos Garaicoa at Parasol Unit with reconstructions of tiled Cuban adverts, albeit with a few alterations.

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Fab boat in Camden.

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Ryan Gander of Lisson Gallery with carved shapes from an important mathematical blueprint. Meanwhile the black pile of sand steadily grows during the show from a thin stream of sand falling out of a hole in the ceiling.

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Pedro Reyes of Lisson Gallery with a room full of sculpture and wall tableaux forming a complete system of ideas, some executed and some pending.

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Ian Cheng of Pilar Corrias showing at Serpentine Galleries. We see what appears to be a simple animation but gradually learn that the creature is living in real time and using a sort of AI to try things out and get used to its rather unusual body.