Gallery run 16th March

The write-up this week will describe the connecting route between Matt’s Gallery in Bermonsey, Kate MacGarry’s gallery near Brick Lane and finally a cluster of galleries in the West End, the latter beginning with Herald Street’s new space near the British Museum in Holborn. This first section, described above, is only suitable for cyclists and joggers since it covers about 10 miles but it is well worth the effort with a lovely section through Southwark Park and along the River Thames. A second section, beginning near the British Museum, the location of Herald Street’s new gallery, comprises an excellent group of shows all within walking distance of each other and these will be described in paragraph three.

The day starts then with a jog to Matt’s new gallery space to see Mandy Ure’s curious abstract paintings. The gallery is doing a sequence of short one week shows and with this fast turnover has quite an itinerary lined up. The space is small but the artist list for future shows is impressive including Ben Rivers who has previously exhibited at Kate MacGarry. Southwark Park is a gem in Bermondsey and its immediate access at the far end onto The River creates a great, green corridor until Tower Bridge, allowing some poetic license for the building site near the bridge. A jog up Brick Lane then brings us to Kate MacGarry, previously mentioned, and Laura Gannon has a lovely show of ripped canvases covered in metallic paint. Gentle and poetic is my immediate impression.

The route to Holborn is not particularly interesting or worthy of comment but the show at Herald Street is strong consisting mainly of sculptural objects. Here would be a good place for the gallery walker to join the route as they would have a treat in store for them with this second section. To continue on this stage, take the first route west. Old Compton Street followed by Brewer Street is good and then by wending past Lower John Street and across Regent’s Street you will have access to Sprovieri on Heddon Street. Tucked away amongst restaurants, look for number 23 and the crew will invite you up to the first floor to see Francesco Arena’s thought provoking works based on the theme of time. Just round the corner we would then reach a hub of three gallery spaces on Savile Row. Take note of the two at Hauser and Wirth. There is a painting bonanza with interesting themes of recycling in the case of Matthew Day Jackson and social equality for Lorna Simpson. Hers are fantastic images with thin washes of vivid blues to create a sublime spectacle of glaciers. Across the road we see Ordovas gallery and the London Painters show that mirrors the current show at Tate Britain, with great works by Freud, Bacon and Kossoff.

Finally by walking, or jogging, across the dog leg that leads to St George’s Street, you would come to Victoria Miro and see the works of Jules de Balincourt. His are paintings from the imagination and are extremely beautiful. Along with Leon Kossoff at Ordovas, he has the most likes on this week’s Instagram post.

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Mandy Ure at Matt’s Gallery with small abstracts.

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Laura Gannon at Kate MacGarry with cut canvases painted with metallic pigments.

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Michael Dean of Herald Street.

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Amalia Pica of Herald Street showing a small cluster of castings of shell-like objects.

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Francesco Arena of Sprovieri Gallery with a performance stool. It can only be sat on by someone whose age is 33, the difference in age between artist and father. A death will cause this interval to change and that will impede on the required age for the stool-performer.

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Matthew Day Jackson of Hauser and Wirth with recreations of Dutch still life paintings made with DIY materials.

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Leon Kossoff at Ordovas.

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Lorna Simpson at Hauser and Wirth with delicate washes on screenprinted and newspaper images.

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Jules de Balincourt of Victoria Miro with vividly coloured landscapes populated by crowds of small figures.

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Gallery run 28th September

Having been invited to the lunchtime press opening at Ordovas gallery, the first stop today is at a sports shop for new trainers. A couple of invites came through in the last week and it would be nice to look smart. At the gallery an installation of cacti by luxury Italian furniture company Gufram has been set up. Around the walls is situated pop art and an Andy Warhol piece seems to fit very well into the cartoon-like space created by the cacti.

Across the street, which is Savile Row, stands the two Hauser and Wirth galleries. To the left is an installation by Marcel Broodthaers. Palms, a luxury product back in the 70’s, stand alongside some intentionally tired-looking museum display cases. This creates a pastiche of the traditional museum.

In the right hand gallery are paintings by Jack Whitten who has applied a variety of meshes and raking tools to create highly complex and varied painted surfaces. Then it is south to White Cube where America’s pop art tradition has been brought into a critical discourse by the varied artworks on display. Christoher Wool’s Riot slogan and David Hammon’s fly zippers trapped in two jars have a delightful lightness of touch. Meanwhile in this show Bruce Nauman has a neon piece depicting two people poking the other in the eye.

Further down Duke Street St. James’, Thomas Dane Gallery is playing host to Kelley Walker. This influential artist has taken branded objects, such as those by Calvin Klein, and turned them into exotic artworks. This is the first day of the show and a small group including possibly the owner are discussing the works in the gallery.

Then it is time to head south and the arrival in Kennington at Greengrassi and Corvi Mora allows me to visit the two artists being shown by these twinned galleries. The assistants at the front desk greet me and check the gallery lights are on. Juha Pekka Matias Laakkonen has developed interesting narratives from seemingly mundane objects. A tree stump has had a set of processes applied to it as though the artist were following an algorithm, but the effect is beautifully poetic and though his objects on display are small, they seem to fill the gallery with their presence. Upstairs it is the turn of Greengrassi to exhibit in the smaller space. Stefano Arienti appears to be motivated by the giants of art history spawning a set of drawings and photocopies that reference the works of Bosch and El Greco.

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Andy Warhol presented in an imaginative installation, using fabricated cacti designed in the early 70’s by Gufram. On display at Ordovas.

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Marcel Broodthaers at Hauser and Wirth with an installation based deliberately on an old-fashioned museum style.

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Jack Whitten at Hauser and Wirth with abstract paintings.

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Christopher Wool at White Cube.

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David Hammons of White Cube in a witty piece with fly zippers trapped in jars.

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Bruce Nauman at White Cube.

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Kelley Walker of Thomas Dane Gallery has turned advertising images into artworks.

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Juha Pekka Matias Laakkonen of Corvi Mora with processed objects. This tree stump was left after the tree collapsed. Then it was dug up, the roots burned and finally the stump was filled in with the resulting ashes.

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Stefano Arienti of Greengrassi with delicate drawings and a few photocopies.