James Coleman, Rirkrit Tiravanija and Lari Pittman offer their established styles in new works. Joanne Greenbaum and Polly Apfelbaum bring colour whilst Imran Qureshi, Jeff Zilm and Maria Taniguchi show great delicacy.
Lari Pittman at Thomas Dane Gallery with layered paintings.
In Wardour Street, Chinatown, where the lanterns are up.
Jeff Zilm at Simon Lee Gallery produced these filmic spray-painted images. He does a chemical reaction on 35mm film stock and transposes the results onto canvas.
Polly Apfelbaum at Frith Street Gallery.
James Coleman with a mini retrospective at Marian Goodman. This new piece is on a giant, bright, led screen that actually seems to radiate warmth.
Maria Taniguchi at Ibid with a series of brick paintings.
Rirkrit Tiravanija at Pilar Corrias was in discussion with Andrea Zittel shown above. She saw the rock as a symbolic place for a future commune shelter project.
Imran Qureshi at Corvi Mora with Mughal inspired miniature watercolour paintings.
Joanne Greenbaum at Greengrassi. Great drips, spaces and interconnections.
Simon Hantai at Timothy Taylor shows his 60’s innovative paintings which used a tie dye technique.
Great garden on a barge at Regent’s Canal.
Albert Oehlen at Gagosian Gallery on Grosvenor Hill using a retro laminate surface.
Garry Simons at Simon Lee Gallery made these speaker units as part of an installation that gets across the feel of punk and grunge!
Tom Wesselmann at David Zwirner is a show about his collages he made whilst still at college. Upstairs we see a fantastic end product.
Saw this bag trolley on Piccadilly after leaving the last gallery of the day.
Tara Donovan makes clusters and here her medium is the old slinky spring. This exhibit at Pace Gallery is in a show based around one of their great artists Alexander Calder. He is patron of a sculpture prize received by the exhibitors.
Darren Bader produced a sound piece that hums low pitched tunes through the Alexander Calder- filled Pace Gallery.
Haroon Mirza produces a sight piece that works well next to Darren Bader’s sound piece shown adjacent.