Stan Douglas at Victoria Miro Gallery. Split-screen film with two narratives.
A returning astronaut occupies two realities simultaneously. One is hostile one is friendly.
Kings Cross cranes.
Li Qing at Almine Rech with double-paintings (amongst other works) which suggest “this” or “that” of various experiences.
Melvin Edwards at Stephen Friedman. Metal chains, locks , and here barbed wire symbolise imprisonment and containment, pertinent especially to slavery.
Hedda Sterne at Victoria Miro Gallery with horizontally divided paintings suggestive of seascapes with added layers to complete the composition.
Isa Genzken at Hauser And Wirth with an in-flight experience.
Alina Szapocznikow at Hauser And Wirth with resin sculptures depicting human forms and states.
An My Le at Marian Goodman Gallery with photos that evolved from Vietnamese photo- journalism, focussing on politics.
Massimo Bartolini at Frith Street Gallery with a sound organ artwork. The rotating drum yanks at pull-chords for loud blasts and catches hanging metal strips for delicate chimes.
Alex Katz of Timothy Taylor showing at the Serpentine Gallery. This wide portrait is of his wife Ada Katz.
Christopher Orr at Ibid. Light projections and stacks of books at his studio, we are told, help free up the imagination in the work.
Etel Adnan of White Cube showing here at Serpentine Gallery. Beautiful bumpy landscapes.
Lygia Clark at Alison Jacques Gallery. This is the first design for her famous folding aluminium pieces. They represent animals or critters. This was a crab.
Massimo Bartolini uses a rotating projector at Frith Street Gallery along with a soundtrack and bright red neon sign.
Christodoulos Panayiotou at Rodeo Gallery uses light in this piece overlooking busy Charing Cross road.
Walter de Maria at Gagosian.
Torey Thornton at Stuart Shave Modern Art. Childlike imagery is striking.
At Art16. Alfredo and Isabela Quilizan produced these flip-flop angel wings.
Cory Arcangel at Lisson Gallery. The digital displays are altered, the software hacked. The alphabet of corporate symbols is appropriated by the artist.
Jean Dubuffet at Timothy Taylor. These fab sculptures grew out of red and blue biro doodles, we are told. The artist had made them whilst on the phone.
Yayoi Kusama at Victoria Miro.
Massimo Bartolini at Frith Street Gallery. The artist’s sound piece is played on this record player crowned with a brass cube. This unusual addition pays homage to Golden Square, the location of the gallery.
Dora Maurer at White Cube. The hands form an alphabet of gestures.
Stephane Graff at Almine Rech. A juxtaposition of text and image that is intended to jar one with the other.
Galleryrunner saw this house connected to a railway arch near Walworth Road.
Stanley Whitney at Lisson Gallery. These pastel grids put beauty before formalism.