Gallery run 3rd November

Bright sunshine is taking the chill out of the air this morning. The sun is behind me making the jog out west along the River Thames towards Wandsworth particularly radiant. Several bridges intersect this stretch of river before one arrives at the Wandsworth recycling centre, a first base on this run and site of an excellent bacon sandwich van. The owner has been trading since before dawn, she says, despite the hour gained from changing clocks. The recycling centre itself seemingly provides much of the business as visibility tops file down the narrow pavement before placing their breakfast orders. With bacon sandwich in hand the first photo opportunity of the day presents itself, a beautifully packed wall of recycled plastic, with the sun’s rays making the different colours sparkle like jewels.

Across the river, the Serpentine Galleries are showing an upcoming American artist called Wade Guyton. He specialises in digital imaging and printing processes but adds a painterly twist by incorporating drips and dislocations into their forms with a joyful array of “mistakes”. These are either accidental or intentionally orchestrated, but either way are very effective in upsetting the order of the original image. In the other gallery Torbjorn Rodland has produced uncanny photographs that incorporate familiar objects such as shoes, food and figures. All of these compositions have been disturbed in some way. A man appears to have thrust his legs in front of his head, with the consensus being that he has performed some extreme yoga pose. But then there is the realisation that what seemed like legs are actually arms, since the performer has had shoes placed on his hands, and his head merely nestles slightly uncomfortably behind one of his arms.

The short run through Hyde Park then leads to Upper Brook Street where Michael Werner is showing Enrico David, a sculptor who was at St Martin’s College at the same time as myself. On this account there is added interest for me. The white sculpted figures with their strange and ornate metal attachments, provide a powerful spectacle to the viewer but also remind me of the artist’s distinctive style clearly evident as a student at college. At Timothy Taylor gallery, a few streets away in Carlos Place, Alex Katz is showing paintings of woodland alongside sculpted portraits and drawings. The woodland paintings, in particular, reveal the artist’s vitality as paint streaks across the canvas in broad strokes. Whole tree trunks are rendered in single swipes while additional twigs are depicted with the same economy as the trunks and appear to twitch like the whiskers of a living animal.

As the sun comes round to the south in the early afternoon there are just three remaining stops to complete, but surprises will await at each of these. At Sadie Coles HQ there is a group show of Eastern, non-European artists. Of this interesting selection, Xu Qu, who is normally represented by Almine Rech gallery, has produced a striking garland of video cameras, which are all threaded onto a thick steel cable. Then round the corner at Pilar Corrias, Rirkrit Tiravanija has filmed the making of a feast cooked in ritual fashion on a giant, cast iron stove. Though traditional in its design, the welding and cast iron of the stove reveal that this object was in fact specially made for the occasion and furthermore that the utilitarian knobs and handles are all scaled up from a smaller original design. They are now barely practical in their new setting and as such take on the mantle of art object. Lastly, and as our finale for the day, Alison Jacques gallery is showing Sheila Hicks’ fantastic, woven, wool pieces. Some of these intricate structures have been mounted on a canvas support, further challenging the viewer’s preconceptions that a difference exists between craft object and artwork.

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Wandsworth Recycling Centre.

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Wade Guyton at Serpentine Gallery with ink jet accidents and images that have a painting quality to them including this illusory effect of depth.

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Torbjorn Rodland at Serpentine Gallery. The shoes create the illusion of a strange contorting posture at first.

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Enrico David of Michael Werner.

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Alex Katz of Timothy Taylor with intense images applied in thin washes of paint.

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Xu Qu at Sadie Coles HQ with a giant video camera garland on metal cable.

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Rirkrit Tiravanija of Pilar Corrias with a cast over-sized stove and enlarged saucepans which were used to prepare a feast.

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Sheila Hicks of Alison Jacques Gallery with fabric structures attached to a standard canvas.

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Katharina Grosse at South London Gallery with spray paint that looks like draped fabrics.

Gallery run 11th August

The day starts with a run up to White Cube Gallery near St James’ Park, followed by a visit to Gagosian just across Piccadilly and up past Berkeley Square. At White Cube, Harland Miller has painted more imaginary book covers using the 70’s style idiomatic of self-help manuals. He seems to look back at that era with affection and there is a suggestion in the blurb that it marked a time when such projects on oneself were seen as augmentative to an already ok self whereas now the self has become categorised by science as being afflicted by a range of disorders perhaps best left to the professionals to remedy. After these thought provoking issues, Peter Marino’s work consisting of several patinated bronze trunks, serves up a healthy serving of bling preventing any further circumspection of the soul. Above each of these floor-based works are priceless artworks by Bacon, Picasso and Warhol all hung on the wall. Taken from the Gagosian group of elite artists, these works provide a sort of imaginary setting which no doubt many rich collectors will identify with as home.

Initially when I then arrive at the Serpentine Gallery in Hyde Park and see the slogan “The most popular show ever” before being asked to queue, I wonder who might have written this in their revue. Then I realise it is the title of Grayson Perry’s new show. He is displaying vases and tapestries and some gloriously sumptuous bikes with cow horn handlebars, a motorbike and peddle bike. Judging by the crowds milling around these great exhibits, the show title rings true. Across the Serpentine lake in the Sackler gallery are more works by a black artist Arthur Jafa, exploring political and urban street life themes. My favourite work is a video showing a performance of two artists spontaneously taking over the central isle of a metro train and swirling around the central pole. As I snap the image and look at the photo, they are upside down with lights and seats receding into the distance creating a spectacle that looks like the astronauts on a space station. They are modern day “metronauts”.

Finally the journey back south takes me to Vauxhall where Calla Henkel and Max Pitegoff are showing at Cabinet Gallery. In the middle of the gallery is a long one metre wide strip of vinyl which is being passed over motorised rollers in a complex system of zig-zags. Printed on this vinyl are occasional images of stonework lettering which, we are told, are addresses of American government organisations that have been carved onto their stone walls. Meanwhile in a sort of contra-punctual relation there are also images of the interior of an Irish bar in Berlin. Whilst the former is perhaps associated with military prowess, the latter still has associations of military exemption, a feature of Berlin life for many years. The structure of the present artwork in Cabinet alludes to a standard printing procedure of airing the vinyl strip to allow time for the inks to dry. But it is also suggestive of a much more poetical process whereby it is acting as a sort of collaging machine. Here the contrasting images from Berlin and Washington that have been printed onto the vinyl strip, whilst not actually drying together in a literal sense, are nevertheless settling together over time.

A short distance further south takes one to the South London gallery. Opposite is an important base camp for this final ascent, called Sophocles’ bakery which makes excellent cheese boreks. The placement of this bakery allows for a five minute walk, to consume the pastry, before arriving at the gallery. Inside Lubeina Himid has presented some collage-based works relating to her placement within a domestic and political culture and she carries an additional aura now as a Turner nominated artist. Meanwhile on a TV monitor is “roadworks” an early performance piece by Mona Hartoum. She walks barefoot through busy Brixton market and carefully drags DM boots attached by their laces behind each ankle seemingly oblivious to the constant chatter and comments. These video works under stressful situations, as they are described, perhaps helped to hone her abilities in making the powerful more static works she is known for today.

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Harland Miller of White Cube with images based on imaginary book covers with very brief titles.

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Howard Hodgkin large scale work.

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Peter Marino at Gagosian Gallery in Davies Street with decorative bronze chests made in a classical style.

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Grayson Perry of Victoria Miro Gallery at Serpentine Gallery.

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Arthur Jafa at Serpentine Gallery with a performance of acrobatics in a metro train.

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Victoria and Albert Museum have a new entrance and courtyard.

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Calla Henkel and Max Pitegoff at Cabinet Gallery.

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Lubaina Himid of Hollybush Gardens at South London Gallery.

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Mona Hartoum of Lisson Gallery showing a performance by herself in South London Gallery.

Gallery run 10th March

Regent’s Canal to Hackney.

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Peter McDonald of Kate MacGarry with figures revealing an inner life through brightly coloured Venn-diagram-like head spaces.

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Laure Prouvost at Serpentine Galleries with an atmospheric installation using sound and dimly lit objects.

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Simon Ling of Greengrassi with piled logs and characteristic orange under and occasional over-painting.

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Dee Ferris at Corvi Mora with natural forms in abstract compositions.

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Gerard Hemsworth at Raven Row in a group show recreating their 70’s show at Exhibition House. Excellent tutor at Goldsmiths and this early text work reminds me of many of his pearls of wisdom delivered in tutorials.

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John Latham at Serpentine Galleries in a retrospective.

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Matt Paweski at Herald Street with aluminium constructions incorporating swirly motifs.

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Maja Ruznic at Beers London.

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Susan Hiller at Raven Row. Group show celebrating the 70’s exhibition space Gallery House with the original participating artists.

Gallery run 8th December

Battersea Park, Hyde Park.

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Magnus Plessen at White Cube with painted portraits of him and pregnant wife.

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Zaha Hadid at the Winton Gallery of the Science Museum.

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Richard Oelze at Michael Werner with slightly surreal landscapes.

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Zaha Hadid early paintings at Serpentine Gallery. This is London with a skewed viewpoint in the artist’s customary (as we discover) style.

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Gavin Turk with his famous blue plaque given pride of place in Newport Street Gallery. There is plenty more and a great show.

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Huma Bhabha at Stephen Friedman with carved polystyrene figures.

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Lee Friedlander at Pace Gallery with an ironic take on the subject object relationship in photography. It’s his shadow not mine!

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Peter Peri at Almine Rech with circular heads on the bronzes made of cast tape rolls and loo rolls.

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David Shrigley of Stephen Friedman Gallery exhibiting on the 4th plinth.

Gallery run 14th October

This week Mayfair and Vauxhall.

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Helen Marten of Sadie Coles HQ showing at the Serpentine Gallery.

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Borna Sammak at Sadie Coles HQ with popular culture imagery.

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Silke Otto Knapp at Greengrassi.

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Raymond Pettibon and Marcel Dzama at David Zwirner.

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Toby Ziegler at Simon Lee Gallery with Google image trickery. Matisse’s iconic image (above) is matched by Google’s algorithms through resemblance to various objects -presumably keyboards resemble the chequered background of the painting.

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Neo Rauch of David Zwirner.

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Marc Camille Chaimoiwcz of Cabinet Gallery at Serpentine Gallery with this installation Enough Tyranny as part of a retrospective show.

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Laura Owens at Sadie Coles HQ with abstract and figurative work.

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New Cabinet Gallery building with windows designed by Marc Camille Chaimoiwcz. The window frame is on display at the Serpentine Gallery as part of this artist’s retrospective show there.

Gallery run 29th June

Lambeth Bridge, Tate Britain, then west to RCA show 2016. North over Battersea bridge, Hyde Park and into the Serpentine Pavilion. Pizza in Goodge Street. East to Angel and along the Regent’s canal then south to Bloomberg Space. North to Carl Friedman then onto Herald Street. Finally to opening at Vilma Gold and then back south.
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Jim Isermann of Corvi Mora at Bloomberg Space. Vinyl wall patterns and interacting objects.

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Paula Linke Sunrise at Royal College of Art show 2016. Great placement by the sinks creates doubt!

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Brian Griffiths at Vilma Gold. Checkered motif and cut up billboards gives a new take to previous tarpaulin works.

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Wolfgang Tillmans at Maureen Paley.

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Serpentine Pavilion.

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Michael Stevenson at Carl Freedman. Flight simulator machine replicas take us on flight journeys and weave in a cultural narrative.

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Pablo Bronstein of Herald Street at Tate Britain. Dancers perform against a classical setting of theatre backdrop and neoclassical colonnades.

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David Schroeter The Seven Stones at Royal College of Art show 2016.

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Nick Relf at Herald Street.

Gallery run 3rd June

Lambeth Bridge, St James Park, Green Park, Hyde Park and The Serpentine Gallery to see Alex Katz and Etel Adnan. East to Ibid, Alison Jacques Gallery and Rodeo Gallery. Frith Street, then further East to Stewart Shave and Gagosian. Regent’s Canal and South over Tower Bridge.

221Alex Katz of Timothy Taylor showing at the Serpentine Gallery. This wide portrait is of his wife Ada Katz.

222Christopher Orr at Ibid. Light projections and stacks of books at his studio, we are told, help free up the imagination in the work.

223Etel Adnan of White Cube showing here at Serpentine Gallery. Beautiful bumpy landscapes.

224Lygia Clark at Alison Jacques Gallery. This is the first design for her famous folding aluminium pieces. They represent animals or critters. This was a crab.

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226Massimo Bartolini uses a rotating projector at Frith Street Gallery along with a soundtrack and bright red neon sign.

227Christodoulos Panayiotou at Rodeo Gallery uses light in this piece overlooking busy Charing Cross road.

228Walter de Maria at Gagosian.

229Torey Thornton at Stuart Shave Modern Art. Childlike imagery is striking.

Gallery run 12th May

Recontextualised artefacts and modified objects from contemporary artists and spiritualism from Hilma af Klint.

191Hilma af Klint at Serpentine Galleries.

192Paulo Nimer Pjota

193Jimmy Desana at Wilkinson Gallery with a photo of the famous pop art icon at work photographing a nude shown here cropped.

194Tomma Abts at Greengrassi

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196Cyprien Gaillard at Laura Bartlett with teeth from drilling equipment shown as artefacts.

197Lisa Oppenheim at The Approach on a very sunny day today.

198Michail Pirgelis of Spruth and Magers is showing at Laura Bartlett with more aeroplane inspired artwork.

199Rob Chavasse who makes gallery holes and interconnections between rooms, from The Sunday Painter, is showing at a group show at Herald Street. The socket extends across the gallery and into the office and powers both computers and artworks.