Today I visit Stuart Shave’s two galleries using a route suitable for joggers and cyclists and then a further batch of galleries in the West End ideal for the urban pedestrian.
Greenwich Foot Tunnel gives access to the Isle of Dogs and by running round the perimeter of the City Farm on its raised walkway, the farm itself appearing to sit in what was once a major reservoir, the jogger quickly accesses the great docks once owned by the East India company. From here the Regent’s Canal is reached via the Limehouse Basin and this provides the cyclist or keen jogger with the route to Stuart Shave’s gallery near Victoria Park. Eva Rothschild is showing sculptures on both floors of this very large space and has organised the works to harmonise with it. Using the next stretch of the canal to access Wharf Road, the longer range gallery visitor can get to the second Stuart Shave gallery, located just off Old Street. Here, Ricky Swallow has produced intricate, coloured, bronze sculptures that occupy the entire space with their presence, despite having small physical dimensions.
Frith Street, about four streets west of Charing Cross Road, is a good place for the urban pedestrian to join the trek. Frith Street Gallery is showing a small group show that includes Jessica Warboys, who has created some great canvases using the sea as a fluid medium to move pigments around and to deposit additional silt-like particles of matter onto their surfaces. They have a delicate appearance with rhythmic patterns that makes them look as though they were actually being viewed through water. Using a road just north of Old Compton Street as a parallel access to Regent’s Street, Liberty comes into sight and marks the beginning of Kingly Street and this in turn leads to Sadie Coles HQ. Marvin Gaye Chetwynd has a deeply gothic theme that the viewer would enjoy, though they must beat the 7th April end date. Finally a dog-leg at the bottom of the street leads to Upper John Street and Golden Square. Marian Goodman has been showing some great works by Thomas Struth, Cristina Iglesias and Giuseppe Penone, but this was a last-day visit and not therefore, a show that can be visited now on this route.
Finally Frith Street’s other gallery sits alongside the square itself in the peaceful enclave just off Piccadilly. Photographs are presented of the brickwork inside tunnels where water of another kind, when taken in contrast to Warboys’ sea works, has created extensive marks, deposits and stains on the victorian architecture. Carry on down now along Lower Regent Street, or parallel to it which is what happened today, and Trafalgar Square comes into sight. Michael Rakowitz has a majestic sculpture on view on the square’s fourth plinth.
Eva Rothschild of Stuart Shave with various sculptural objects carefully presented in the space.
Ricky Swallow of Stuart Shave with cast bronze objects based on incidental interior features.
Jessica Warboys at Frith Street Gallery with images made by immersing pigmented canvases in the sea.
Marvin Gaye Chetwynd of Sadie Coles HQ with gothic imagery based on bats and theatre props presented against flat photo backdrops.
Thomas Struth of Marian Goodman with a photo of physics objects that would make one’s hair stand on end.
Cristina Iglesias of Marian Goodman with a hard looking cage-like structure which on closer inspection is delicate and made of a granular substance that actually smells quite nice.
Giuseppe Penone of Marian Goodman with a characteristic adaptation of a natural object.
John Riddy of Frith Street Gallery with photo images of stained brickworks made during a stroll through South London.
The fourth plinth has arrived. Michael Rakowitz has built a replacement for the original stone treasure recently destroyed, out of tin cans.