Gallery run 10th May

Today I headed towards St James’ Park and then into Stephen Friedman gallery where Mamma Andersson is showing paintings and woodblock prints. After checking out both galleries I go into Sainsbury’s off Berkeley Square and buy a croissant as a mid-morning snack. Then I make my way north to Sadie Coles in Davies Street to see Jordan Wolfson’s show. I photograph a rather sinister looking red plastic house with teeth and nose moulded in the roof and then go upstairs where a shock awaits. An assistant helps me put on virtual reality headset and headphones whilst warning me to hold a metal grab rail at all times. It is not an electric shock from the grab rail, but from some grotesque ultra-violence that awaits from the headset. The grab rail is probably there in case someone faints. For the first thing I see is someone taking a massive swing at a defenceless victim using a baseball bat. I close my eyes, too embarrassed to remove the headset straight away in front of the assistant and as the beating continues I catch more glimpses of the victim, through half closed eyes, now unconscious on the street which incidentally is Davies street filmed outside the gallery. “That was intense”, I mutter, as I leave in slight shock. Going south now across Piccadilly I arrive at Thomas Dane Gallery, where the sculptor Terry Adkins has assembled stacks of tin pans and lids on poles protruding from the gallery walls. The route to the Thames from here passes through Trafalgar Square and here the street performers have laid out their chalk flags on the pavement and gathered people around the sound system. The river weaves its way eastwards and I follow its north bank past City School and then into a walkway that divides a recycling facility with a large four-wheeled crane straddling the divide and visible above as it shifts giant shipping crates. At Brick Lane I refuel with a smoked salmon bagel and then check into Kate MacGarry Gallery where Dr Lakra, a Mexican artist, has made totemic sculptures based on ancient South American figurines but crossed with 20th century icons including E.T.. Peer gallery is next where James Pyman has exhibited intricate pencil drawings from images linked to his own childhood including to comic books. A tragic tale unfolds as I listen to the artist recounting the story of everyone’s second favourite comic book artist but I am not here to spoil the ending. As the run draws to an end I reach the last stage which is White Cube in Bermondsey Street. Larry Bell had created a chemical cupboard in the 70’s and has developed a trademark style of pearlescent finishes used in geometric abstractions and also some beautiful figurative works on display here. In the adjacent gallery I take what I think is the last photo of the day, entranced by a stunning orange vase with minimal design imparted to its surface by the artist Jurgen Partenheimer. But running through Bermondsey Square Lucy Tomlins sculpture of Atlas fallen from the pedestal catches my eye and I find the right angle to show off her excellent stone work as the sun catches the bridge of its nose.

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I was stopped in my tracks by a policeman as the pavement had been shut just before these guards emerged.

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Mamma Andersson at Stephen Friedman Gallery with delicate paintings from nature.

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Jordan Wolfson at Sadie Coles HQ with striking and disturbing objects and films.

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Terry Adkins at Thomas Dane Gallery with evocative assemblages.

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Dr Lakra of Kate MacGarry with totemic figures based partly on popular culture.

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James Pyman of Maureen Paley at Peer. This is a drawn close up of a Beatles 45″ record sleeve.

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Larry Bell of White Cube with oxide surfaces made in a chemical cupboard.

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Jurgen Partenheimer at White Cube with loosely painted images and ceramics.

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Lucy Tomlins presents a sculpture of Atlas in Bermondsey Square.

Gallery run 23rd March

Regent’s Canal to Hackney.

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Andrew Munks at Zabludowicz Collection with fish wearing hats and wigs.

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Gardar Eide Einarsson of Maureen Paley with enlarged painted images borrowed from paraphernalia of institutions and then modified.

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Paul Scott at Peer with modified old style plates.

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Fred Tomaselli of White Cube with enhanced front covers of New York Times.

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Anya Gallaccio of Thomas Dane Gallery with an ever growing copy of a distinctive mountain in America featured in the ET movie.

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Stephan Balkenhol of Stephen Friedman Gallery with elegantly hewn wood figures.

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Oscar Tuazon at Maureen Paley exhibiting with gallery artist Gardar Eide Einarsson. Their work has a political focus, though here the isolated door has more of a feel of a ready-made.

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Helene Appel of The Approach with a washing up series.

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Andrew Cranston at Wilkinson Gallery with delicate paintings on hard covers of old books.

Gallery run 17th March

River Thames to Hackney.

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Sam Durant at Sadie Coles HQ with protest slogans made beautiful in light boxes.

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Claudio Parmiggiani at Simon Lee Gallery with a soot print made from a fire in a specially set up library. These prints are on boards that were placed behind the shelves and books and then the soot wafted through.

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Roberto Matta at Robilant Voena with psychic landscapes and imagery that inspired the surrealists.

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Rodney Graham at Canada Gallery in Canada House. A survey of his work.

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Alicja Kwade at Whitechapel Gallery with celestial imagery using iPhones that rotate but continually use their orientation sensor to pick out the correct region of space in front of themselves to depict on the screen.

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Jaki Irvine at Frith Street Gallery with a sound and video installation. It has a song she wrote herself in a traditional Irish style. Also there is an historic account of the 1916 Easter rising in Southern Island. Though risking execution as traitors many women took part and the artist celebrates them here.

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Chris Succo at Almine Rech Gallery with paint and spray paint compositions from life.

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Georg Baselitz at Michael Werner showing work from 77-92 and continuing a relationship with the gallery that goes back to the early 60’s.

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Lisa Brice at Stephen Friedman Gallery showing blue drawing paintings of women in contemplative poses usually unaware of any external viewer.

Gallery run 8th February

West to East.

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Luiz Zerbini of Stephen Friedman Gallery with abstract motifs inserted into vivid naturalistic paintings.

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Anya Gallaccio of Thomas Dane Gallery with extruded clay building up a gallery-sized replica of a mountain in the US. A giant 3D printing process will be used to build the mountain up in layers with a honeycomb internal structure for strength but deliberately compromised by the chaotic nature of the wet clay.

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Fernanda Gomes of Alison Jacques Gallery with white objects of wood and canvas placed about the gallery.

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Florian Roithmayr of MOT International at Bloomberg Space with objects made from processes using basic materials.

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Urs Fischer of Sadie Coles HQ with an interactive Rodin replica whose plastacene material has been remodelled by the gallery visitors.

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Peter Halley at Stuart Shave Modern Art with 80’s paintings exploring communication and technology with simple but striking painted forms.

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Alex Israel and Bret Easton Ellis at Gagosian with text on painted film-style back drops.

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Team Lab of Pace Gallery with an immersive installation that recreates basic forces in nature such as the forces between water droplets, to create waterfalls, vortices, rivulets of water and other natural phenomena from their minute parts.

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Barbara Kasten at Thomas Dane Gallery with set-ups made from modern optically attractive materials.

Gallery run 20th January

Plinth shortlist and along Thames.

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Andrea Zittel at Sadie Coles HQ in a group show exploring rooms as psychic spaces. This is part flotation tank and part survival space.

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Michael Andrews at Gagosian Gallery with 5 series of paintings including one of Uluru or AyersRock.

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Charles Avery at Pilar Corrias with more drawings from his imaginary island.

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Bright sun today casting a mysterious green glow thanks to a nearby building.

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Huma Bahbah of Stephen Friedman Gallery showing as a short-listed artist for the 4th plinth. The artist is inspired by science fiction and ancient cities.

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Heidi Bucher who shows at the Approach Gallery featured here in a group show at Sadie Coles HQ featuring rooms as psychic spaces. This is a latex imprint of her father’s study.

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Adrian Paci at Frith Street Gallery with a series of drawings on found black board materials.

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Sarah Lucas at Sadie Coles HQ with a smoking room fashioned from tabloids headlines many of which I remember from the 90’s.

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Photograph of the The Shard placed by Tom Wolseley in the entrance hall of his exhibition. Two hall mirrors make for an interesting viewpoint. Vertical Horizons is the title of his work.

Gallery run 16th December

Battersea Park, Hyde Park.

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Haris Epaminonda at Rodeo Gallery using inset light coloured wood.

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Maria Nepomuceno at Victoria Miro with sculptures using woven beads and fired clay.

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David Ogle showing at The Royal British Society Of Sculptors.

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Caragh Thuring at Thomas Dane Gallery with delicate paintings on unprimed canvas here.

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Dayanita Singh at Frith Street Gallery with photos and wooden constructions evocative of 20th century institutions and museums.

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Ken Price at Hauser And Wirth with beautiful ceramics and drawings in this retrospective.

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Robert Mapplethorpe at Alison Jacques Gallery mostly figurative but here is a TV with chains.

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Gerasimos Floratos at Pilar Corrias with figures that have both a primitive and cartoon quality.

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Stephan Balkenhol of Stephen Friedman Gallery in a group show at Marian Goodman Gallery.

Gallery run 8th December

Battersea Park, Hyde Park.

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Magnus Plessen at White Cube with painted portraits of him and pregnant wife.

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Zaha Hadid at the Winton Gallery of the Science Museum.

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Richard Oelze at Michael Werner with slightly surreal landscapes.

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Zaha Hadid early paintings at Serpentine Gallery. This is London with a skewed viewpoint in the artist’s customary (as we discover) style.

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Gavin Turk with his famous blue plaque given pride of place in Newport Street Gallery. There is plenty more and a great show.

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Huma Bhabha at Stephen Friedman with carved polystyrene figures.

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Lee Friedlander at Pace Gallery with an ironic take on the subject object relationship in photography. It’s his shadow not mine!

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Peter Peri at Almine Rech with circular heads on the bronzes made of cast tape rolls and loo rolls.

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David Shrigley of Stephen Friedman Gallery exhibiting on the 4th plinth.

Gallery run 30th September

Art Povera with Marisa Merz and Jannis Kounellis and global trade, politics and migration with Yinka Shonibare, Akram Zaatari and Mike Kelley.

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Yinka Shonibare at Stephen Friedman with cosmic statues and a move away from his fabric motifs.

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Marisa Merz at Thomas Dane Gallery with images on basic materials and was part of the Art Povera grouping also with her husband Mario Merz.

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Peter Saul at Michael Werner with superheroes and angst ridden figures.

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Akram Zaatari at Thomas Dane Gallery celebrating the story of an Israeli pilot who refused to drop his bombs on a school in Lebanon and offloaded them into the sea instead.

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Mike Kelley at Hauser and Wirth London with a recreation from China Town.

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Jannis Kounellis at White Cube with constructions from wax, lead and metal.

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On the Regent’s Canal.

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Sol Calero at Laura Bartlett Gallery with bright imagery inspired by Venezuela.

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Lygia Pape at Hauser and Wirth London with installation made of fine wires.

Sculpture in the City 2016, 12th August

Some artworks take time to absorb fully their significance and this was the case with Michael Lyons sculpture, Centaurus. As a consequence of this, the present gallery run, entitled Sculpture in the City 2016, is described on two separate time scales, the day itself and a few days later from whence I was able to cast my gaze across the City whilst on a separate run and at a greater distance. The inspiration for a critique of this sort was also inspired by the writer Marcel Proust who used the changing distance of a spectator to reveal different truths about an object under mental scrutiny.

Close up, Sculpture in the City is a trail that extends south from the building formerly known as the NatWest tower, and for those who are interested in its design, it displays in its vertical section the logo of the bank. Doubling back at Leadenhall market, one soon arrives at the grand plaza of the Leadenhall Cheesegrater, and then further back one arrives at the plaza of the St Mary’s Axe Gherkin. This doubling back at Leadenhall gives the sculpture trail an overall V shape with the Cheesegrater near the tip.

It was this constellation of three buildings I would see from afar as I jogged round the long curving banks of the Thames a few days later. They formed a slowly rotating compass which would constantly pick out due south thanks to the illumination of a rather vivid red sunset reflecting off the Cheesgrater’s long sloping facade. Thanks also to Michael Lyons sculpture, it would inspire me on my return home to write the present account of the sculpture trail mindful of the fact that some artworks give a delayed reaction to the understanding of their truths.

On the day, Michael Lyon’s sculpture appeared sited on ground level in a plaza close to these iconic buildings. It had a roughly worked steel form and stone plinth and what looked like a gestural curve applied to a horizontal steel bar as a head and which sat atop a thick tapered pole in reference to a neck. It had a presence a bit like a sentinel and its name Centaurus suggested it was distracted by a point or constellation in the southern sky, despite the bright midday sun temporarily obscuring any poetic reference to the stars. Then comes the moment referred to at the beginning of this account, of realisation. The sculpture was actually in alignment with the paving slabs of the plaza and this in turn through the vision of architects, extended to an overall south facing aspect for all the buildings in that little region of the city. Thus from afar I would be looking at London’s Compass as the three buildings of the trail formed a V shaped constellation brought to life by the glowing tip of the foremost building, the Cheesegrater, a compass which would be there in perpetuity for any city visitor henceforth to help them pick out due south and thus guide them on their way.

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Centaurus by Michael Lyons. The sculpture faces due south, as do the surrounding buildings, in fact, and is the inspiration for this week’s blog, the London Compass.

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Gavin Turk in Sculpture In The City

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Huma Bhabha of Stephen Friedman in Sculpture In The City.

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William Kentridge of Marian Goodman gallery. The artist has produced a composite portrait of a poverty stricken figure selling coals.

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Sarah Lucas of Sadie Coles HQ in Sculpture In The City.

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Ugo Rondinone of Sadie Coles HQ in Sculpture In The City.

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Lukas Duwenhogger at Raven Row. Exotic symbol-laden paintings.

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Giuseppe Penone in Sculpture In The City. Bronze tree with smooth boulders.

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Brick Lane activity.

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Anthony Caro of Gagosian in Sculpture In The City. Made from additions to a sea floatation tank.

Gallery run 6th July

West through Burgess Park, Lambeth Bridge, Battersea Park to Wandsworth recycling depot. Bacon sandwich, then back east to Chelsea bridge, through Victoria arriving at Gagosian on Grosvenor Hill. Then run to Ibid Gallery, Rodeo Gallery, Sadie Coles HQ and back South over Lambeth Bridge. To Greengrassi, Corvi Mora and South London Gallery. Picked up a postcard artwork there and returned it to the artist’s gallery.

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Mark Grotjahn at Gagosian with work that departs radically from his close studies of nature.

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Raymond Pettibon at Sadie Coles HQ.

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John Adamo at Ibid Gallery. Small ceramic models of biscuits (and crumbs).

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Damian Ortega of White Cube showing at South London Gallery in Under the Same Sun. Sculpted tortillas.

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Ian Law at Rodeo Gallery. Wrapped hospital screens placed in the very bright sunny corner of the gallery.

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Gallery Runner was encouraged to take a postcard from Rivane Neuenschwander’s artwork by one of the gallery assistants at South London Gallery. Only catch is it must be sent on somewhere. Why not to her gallery #stephenfriedman?

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Karinruggaber at Greengrassi with a wall assemblage.

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Erika Verzutti of Alison Jacques showing at South London Gallery in Under the Same Sun.

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Gallery Runner has seen plenty of these along the canals! Simon Ling at Greengrassi with paintings of piled debris on junk barges.