Regent’s Canal to Hackney.

Andrew Munks at Zabludowicz Collection with fish wearing hats and wigs.

Gardar Eide Einarsson of Maureen Paley with enlarged painted images borrowed from paraphernalia of institutions and then modified.

Paul Scott at Peer with modified old style plates.

Fred Tomaselli of White Cube with enhanced front covers of New York Times.

Anya Gallaccio of Thomas Dane Gallery with an ever growing copy of a distinctive mountain in America featured in the ET movie.

Stephan Balkenhol of Stephen Friedman Gallery with elegantly hewn wood figures.

Oscar Tuazon at Maureen Paley exhibiting with gallery artist Gardar Eide Einarsson. Their work has a political focus, though here the isolated door has more of a feel of a ready-made.

Helene Appel of The Approach with a washing up series.

Andrew Cranston at Wilkinson Gallery with delicate paintings on hard covers of old books.


































Gretchen Faust at Greengrassi with natural forms and cultural artefacts intermixed. This gold leaf piece in Autumn.
Richard Serra in the City.








Hilma af Klint at Serpentine Galleries.
Paulo Nimer Pjota
Jimmy Desana at Wilkinson Gallery with a photo of the famous pop art icon at work photographing a nude shown here cropped.
Tomma Abts at Greengrassi
Cyprien Gaillard at Laura Bartlett with teeth from drilling equipment shown as artefacts.
Lisa Oppenheim at The Approach on a very sunny day today.
Michail Pirgelis of Spruth and Magers is showing at Laura Bartlett with more aeroplane inspired artwork.
Rob Chavasse who makes gallery holes and interconnections between rooms, from The Sunday Painter, is showing at a group show at Herald Street. The socket extends across the gallery and into the office and powers both computers and artworks.
Turville Street near Brick Lane has these openly exposed gas meters that are an ever-changing prop in various works of street art.
Renee So at Kate MacGarry. The smoke plume mirrors the Assyrian beard in this tapestry. The figure is boot-like as a recurring motif.
Paul P at Maureen Paley.
Signed in at Laura Bartlett this morning about 12.25! This artefact is in the gallery itself.
Becky Beasley at Laura Bartlett. The drawer artwork is being fixed by her partner about whom the show is partly based.
Philipp Timischl at Vilma Gold. Good show.
Juliette Boneviot in The Green Ray at Wilkinson Gallery, which is also her gallery. The show is based on a rare 5 second (or so) phenomenon whereby the red setting sun appears green due to a sudden change in …. something!
A door on Vyner Street near Wilkinson Gallery.
Anna Barriball of Frith Street Gallery in The Green Ray, a show at Wilkinson Gallery. Thickly layered graphite on paper looks like a leaded sunday window.
At The Approach. The penny has dropped! Helen Appel’s #canvasdeposits are actually painted! In this show curated by Jack Lavender her work strongly portrays the theme of detritus in domestic settings.
Synaesthesia is the subject for Daria Martin at Maureen Paley Gallery. However she is interested in a stronger type called Mirror-touch Synaesthesia. People can actually feel a touch when they see it experienced by another.
Making my way back from the Approach. There were two cats boarding their ship at The Limehouse Basin.